Difference between revisions of "Muscle Museum (song)"

MuseWiki, wiki for the band Muse
Jump to navigation Jump to search
Line 33: Line 33:
 
==Information==
 
==Information==
 
This song came from a practice session at Matthew Bellamy's house early in Muse's existence as a band,<ref name="riu20071203">{{cite/ripitup20071203}}</ref> with the guitar part coming before the bass line and percussion, respectively.<ref name="riu20071203"/> Its first recorded release was on the Muscle Museum EP, where it came in two versions. One is close to the later incarnation on Showbiz, and one is a short acoustic with rain effects. The latter was used at the beginning of the former as an introduction.
 
This song came from a practice session at Matthew Bellamy's house early in Muse's existence as a band,<ref name="riu20071203">{{cite/ripitup20071203}}</ref> with the guitar part coming before the bass line and percussion, respectively.<ref name="riu20071203"/> Its first recorded release was on the Muscle Museum EP, where it came in two versions. One is close to the later incarnation on Showbiz, and one is a short acoustic with rain effects. The latter was used at the beginning of the former as an introduction.
 +
The EP version also differs from the Showbiz version as having a different bassdrum figure in the verses and the pre-chorus parts.
  
 
Bellamy said that the meaning was the "conflict between the body and the soul or mind"<ref name="nocite">{{nocite}}</ref> - the Freudian idea of inner conflict between want and conscience. He later stated that the meaning somehow involved people in the future no longer having bodies.<ref name="nocite"/> This idea came from a book that he had read.<ref name="nocite"/>
 
Bellamy said that the meaning was the "conflict between the body and the soul or mind"<ref name="nocite">{{nocite}}</ref> - the Freudian idea of inner conflict between want and conscience. He later stated that the meaning somehow involved people in the future no longer having bodies.<ref name="nocite"/> This idea came from a book that he had read.<ref name="nocite"/>

Revision as of 15:26, 3 April 2010

Muse song
Name Muscle Museum
Album/single
Length
  • 4:22, 5:29 (full length version) »
  • 4:20 (Muscle Museum EP version)
  • 1:21 (Muscle Museum #2)
Alternative titles -
First live performance Unknown
Latest live performance 15th October 2007
Recorded 1999
Writer/composer Matthew Bellamy
Producer Paul Reeve
Chart position 25 (UK)

<flashmp3>http://www.musewiki.org/images/MuscleMuseum.mp3%7Crightbg=0xDDEEFF%7Cleftbg=0xDDEEFF%7Cbg=0xFFFFFF</flashmp3>

Information

This song came from a practice session at Matthew Bellamy's house early in Muse's existence as a band,[1] with the guitar part coming before the bass line and percussion, respectively.[1] Its first recorded release was on the Muscle Museum EP, where it came in two versions. One is close to the later incarnation on Showbiz, and one is a short acoustic with rain effects. The latter was used at the beginning of the former as an introduction. The EP version also differs from the Showbiz version as having a different bassdrum figure in the verses and the pre-chorus parts.

Bellamy said that the meaning was the "conflict between the body and the soul or mind"[2] - the Freudian idea of inner conflict between want and conscience. He later stated that the meaning somehow involved people in the future no longer having bodies.[2] This idea came from a book that he had read.[2]

The title comes from a dictionary that Muse used, which had 'muscle' immediately before 'muse' and 'museum' immediately after.[2]

You can hear Matt talking about his hometown in “Muscle Museum”, where Teignmouth still wanted to convince Muse they were doing wrong (to prove I’ve made a big mistake).[3]

Matt actually sings the "guitar" solo. "I wanted to do this big epic guitar solo at the end of the chorus and as soon as I started doing the solo, I missed a chord. So I suddenly found myself singing the guitar solo instead. I ended up singing it into a Marshall amp and it sounded exactly like guitar."

As the song featured on four separate release, a wide variety of edits and versions were created, some exclusively on promotional media:

Live

Muscle Museum was played at most concerts from its release until the 2006 tour, during which it wasn't played until the concert at Agora Theatre on September 10th. As of late 2007, the song is rarely played live.

As of January 2010, Howard revealed on TripleJ radio, Australia, he'd like to play the song live again, however, due to Bellamy losing the required (rare) effects pedal for part of the song, it's been left out of rotation so far.

Lyrics

She had something to confess to
But you don’t have the time so
Look the other way
You will wait until it’s over
To reveal what you’d never shown her
Too little much too late
Too long trying to resist it
You’ve just gone and missed it
It’s escaped your world

Can you see that I am needing
Begging for so much more
Than you could ever give
And I don’t want you to adore me
Don’t want you to ignore me
When it pleases you
And I’ll do it on my own

I have played in every toilet
But you still want to spoil it
To prove I’ve made a big mistake
Too long trying to resist it
You’ve just gone and missed it
It’s escaped your world

Can you see that I am needing
Begging for so much more
Than you could ever give
And I don’t want you to adore me
Don’t want you to ignore me
When it pleases you yeah...

So I’ll do it on my own and
I’ll do it all by myself
And you will never make it

Live variation

The first instance of

And I’ll do it on my own

has occasionally been changed to

So I'll do it on my own

References

  1. a b Adam Mamo. (2007-12-03). Tales of the Tracks. Rip It Up. [verify]
  2. a b c d
    Reference needed!

  3. The Legendary Matthew Bellamy. Fansite. Retrieved 2008-02-12 from freewebs.com.

See also


Go back to Showbiz